Available in 8 styles
About
F37 Jan features eccentric ink traps, specially designed geometric licks, and is a hybrid of two classic faces.
The initial inspiration for our F37 Jan font family was Matthew Carter’s Bell Centennial, which was used in the AT&T telephone directory. We loved the way the ink traps and large contours made the text easier to read in small sizes.
But we were also taken by the geometry and modernism that inspired Jan Tschichold’s Untitled sans serif (found in stylistic set 2). So we decided to create a hybrid design, and to give it Tschichold’s first name.
Published In
2016Specimen
Download PDFFile Formats
OTF, TTF, WOFF, WOFF2, EOTOpen Type Features
Old Style Numerals
Stylistic Alternates
Ligatures
F37 Jan
ThinAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
Thin ItalicAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
LightAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
Light ItalicAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
RegularAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
Regular ItalicAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
BoldAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
Bold ItalicAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
F37 Jan
ThinJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
Thin ItalicJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
LightJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
Light ItalicJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
RegularJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
Regular ItalicJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
BoldJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
F37 Jan
Bold ItalicJan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon.
Punctuation & SymbolsNumeralsOld style numeralsLigaturesUpper caseLower caseUpper case extendedLower case extednedAlternates (Stylistic Set 1)
Punctuation & Symbols
!
"
#
$
%
&
'
(
)
*
+
,
-
.
/
:
;
<
=
>
?
@
[
\
]
^
_
{
|
}
~
¡
¢
£
£
¤
¥
¦
§
©
«
¬
°
±
²
³
µ
¶
·
¸
¹
º
»
¼
½
¾
¿
×
–
—
‘
’
‚
“
”
„
†
‡
•
…
‰
‹
›
⁄
€
™
−
®
÷
Numerals
0
1
2
3
4
5
6
7
8
9
Old style numerals
0
1
2
3
4
5
6
7
8
9
Ligatures
fi
fl
Upper case
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lower case
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Upper case extended
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Œ
Š
Ÿ
Ž
Þ
Lower case extedned
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ı
ł
œ
š
ž
ß
Alternates
(Stylistic Set 1)
(Stylistic Set 1)
b
d
f
g
l
p
q
t
Licensing Options
We offer a range of licences on our website to suit different projects, needs and budgets. If you’d like to discuss developing a brand font with us, please get in touch.
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With our Desktop Licence, you can install our OpenType (OTF) font software on your desktop computer or laptop (Mac or Windows compatible).
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With our Webfont Licence, self-host Webfonts (EOT, TTF, WOFF, WOFF2) are based on your monthly page-views, costs are renewable annually.
Add to CartBrand Font Licence
This allows bespoke licensing for Application, Broadcast, Brand Identity, ePublishing, Gaming, Merchandise, OEM, Publishing, Server Licences, and more.
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