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Available in 3 styles

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F37 Bella
Bella
Family

About

Like a little black dress or a tailored suit, our award-winning F37 Bella font is timelessly stylish. It mixes bygone glamour with a contemporary aesthetic.

One of our best-selling fonts, F37 Bella is influenced by Swiss typographer Jan Tschichold’s early explorations of geometry and shape in letterforms. In particular, the perfect ball terminals of Tschichold’s Saskia font inspired us while drawing F37 Bella.

However, it was John Pistilli’s Pistilli Roman and the thin hairlines in Louis Dorfman’s work that finally inspired F37 Bella’s overall aesthetic shape and form. This interplay between fracture-thin hairlines and pronounced curves is key to F37 Bella’s charm and appeal.

Published In

2011

Specimen

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File Formats

OTF, TTF, WOFF, WOFF2, EOT

Open Type Features

Stylistic Alternates
Ligatures

Awards

TDC Tokyo, TDC Prize, 2012

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Alphabet
Alphabet
Upper case
Lower case
Numerals
Pangram
Latin
Ligatures
Punctuation
48pt
10
11
12
13
14
16
20
36
48
64
72
140
180
220
288
OpenType
Alternates
English
English
Spanish
Dutch
German
Danish
French
Italian
Portuguese
Swedish

F37 Bella

Regular
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AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz

F37 Bella

Heavy
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AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz

F37 Bella

Stencil
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AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
    • 16pt
    10
    11
    12
    13
    14
    16
    20
    36
    48
    64
    72
    140
    180
    220
    288
    OpenType
    Alternates

    F37 Bella

    Regular
    John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created [at S&H], always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.

    F37 Bella

    Heavy
    John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created [at S&H], always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.

    F37 Bella

    Stencil
    John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created [at S&H], always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.
    Punctuation & SymbolsNumeralsLigaturesUpper caseLower caseUpper case extendedLower case extendedAlternates
    Punctuation & Symbols
    !
    "
    #
    $
    %
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    (
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    ¡
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    ±
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    º
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    ¿
    ×
    –
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    ’
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    “
    ”
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    ‡
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    Numerals
    0
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    Ligatures
    fi
    fl
    Upper case
    A
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    E
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    M
    N
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    T
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    Lower case
    a
    b
    c
    d
    e
    f
    g
    h
    i
    j
    k
    l
    l
    m
    n
    o
    p
    q
    r
    s
    t
    u
    v
    w
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    y
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    Upper case extended
    À
    Á
    Â
    Ã
    Ä
    Å
    Æ
    Ç
    È
    É
    Ê
    Ë
    Ì
    Í
    Î
    Ï
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    Ñ
    Ò
    Ó
    Ô
    Õ
    Ö
    Ø
    Ù
    Ú
    Û
    Ü
    Ý
    Œ
    Š
    Ÿ
    Ž
    Þ
    Lower case extended
    à
    á
    â
    ã
    ä
    å
    æ
    ç
    è
    é
    ê
    ë
    ì
    í
    î
    ï
    ð
    ñ
    ò
    ó
    ô
    õ
    ö
    ø
    ù
    ú
    û
    ü
    ý
    þ
    ÿ
    ı
    Ŀ
    ŀ
    Ł
    ł
    œ
    š
    ž
    ß
    Alternates
    C
    G
    S
    &

    Licensing Options

    We offer a range of licences on our website to suit different projects, needs and budgets. If you’d like to discuss developing a brand font with us, please get in touch.

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    With our Desktop Licence, you can install our OpenType (OTF) font software on your desktop computer or laptop (Mac or Windows compatible).
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    This allows bespoke licensing for Application, Broadcast, Brand Identity, ePublishing, Gaming, Merchandise, OEM, Publishing, Server Licences, and more.
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