Precisely 

William Grant & Sons

Boots

Moonpig

Dunlop

PepsiCo

Selfridges

GM Cruise

Barclays

Google

InterContinental Hotels Group

Treatwell

Square Mile

Top Gear

Baskin Robbins

Foot Locker

British Heart Foundation

Wahaca

Stella Artois

Serpentine Galleries

Foilco

Cow & Gate

Spectra

Lloyds Bank

ZIP by Premier Inn

EULA Desktop

**F37 Desktop End User License Agreement**

**PLEASE READ THESE LICENCE TERMS CAREFULLY**

**UPDATED OCTOBER 25, 2019**

This licence agreement (Licence) is a legal agreement between you (Licensee or you) and F37 Foundry Limited (company registration number 10567814) having an address at 3 Hodgkinsons Farm, Boot Lane, Bolton, Greater Manchester, BL1 5ST, United Kingdom (Licensor, us or we) for:
 
•	The font downloaded from the F37 Foundry Limited website or as otherwise provided by us (Font); 

•	the computer software, supplied with the Font (Software) enabling the use of the Font; and

•	online or electronic documentation relating to the Font or Software (Documentation).
We license use of the Font, the Software and the Documentation to you on the basis of this Licence. We do not sell the Font, Software or Documentation to you. We remain the owners of the Font, Software and Documentation at all times

This Licence is for private use only. If you use the Software for any commercial, business or resale purpose we will have no liability to you and it is acknowledge a separate commercial use licence is required to be purchased for any commercial or business use. 

All rights that are not specifically granted under this Licence are reserved by us. The Licence will not be effective until our receipt of the license fee, which fee is a one-time payment and is deemed fully earned upon our receipt.

**AGREED TERMS**

**1. GRANT AND SCOPE OF LICENCE, MINOR CHANGES AND UPDATES**

1.1. In consideration of you agreeing to abide by the terms of this Licence, the Licensor hereby grants to you a non-exclusive, non-transferable licence to use the Font, Software and the Documentation for use within Europe on the terms of this Licence in perpetuity unless or until terminated in accordance with this Licence.

1.2. You may:
 
1.2.1. install and use the Software for your personal purposes only to enable use of the Font on one central processing unit (CPU) and you acknowledge the Licence is a single-user licence and the Software is for single use only;

1.2.2. provided it is used at any one time on only one computer owned or leased by you, transfer the Software from one computer to another;

1.2.3. provided you comply with the provisions in Paragraph 2, make up to 2 copies of the Software for back-up purposes; 

1.2.4. use any Documentation in support of the use permitted under paragraph 1.2 and make up to 2 copies of the Documentation as are reasonably necessary for its lawful use.
 
1.3. We may update or require you to update the Software, provided that the Software shall always match the description of it that we provided to you before you bought it.

**2. RESTRICTIONS**

2.1. Except as expressly set out in this Licence or as permitted by any local law, you undertake:
 
2.1.1. not to copy the Font, Software or Documentation, except where such copying is incidental to normal use of the Font or Software or where it is necessary for the purpose of back-up or operational security;
 
2.1.2. not to rent, lease, sub-license, loan, translate, merge, adapt, vary, alter or modify, the whole or any part of the Font, Software or Documentation nor permit the Font or Software or any part of it to be combined with, or become incorporated in, any other programs;

2.1.3. not to use the Font, Software or Documentation for any commercial purposes in any form;

2.1.4. not to allow or permit any other persons to use the Font, Software or Documentation;

2.1.5. not to transfer, or permit any transfer of the Font, Software or Documentation to any other person without purchasing a licence from us;

2.1.6.	not to use the Font in any form, application or document or any other media where it will be placed in or used in the public domain;

2.1.7. not to use the Font or Software as part or whole of a corporate identity or branding system unless a separate license is obtained covering the expected usage, including: workstation installations, web fonts, appfonts, etc.; 

2.1.8.	not to use the Font or Software to create or distribute any electronic document in which the Font Software, or any part thereof, is embedded in a format that permits editing, alterations, enhancements, or modifications by the recipient of such document without obtaining a License Extension from us to do so. You may embed the Font in a secure electronic document for previewing and printing use only. 

2.1.9.	not to disassemble, de-compile, reverse engineer or create derivative works based on the whole or any part of the Font or Software nor attempt to do any such things, except to the extent that (by virtue of sections 50B and 296A of the Copyright, Designs and Patents Act 1988) such actions cannot be prohibited because they are necessary to decompile the Font or Software to obtain the information necessary to create an independent program that can be operated with the font or Software or with another program (Permitted Objective), and provided that the information obtained by you during such activities:

2.1.9.1. is used only for the Permitted Objective;

2.1.9.2. is not disclosed or communicated without the Licensor’s prior written consent to any third party to whom it is not necessary to disclose or communicate it in order to achieve the Permitted Objective; and

2.1.9.3. is not used to create any software that is substantially similar in its expression to the Font or Software;
 
2.1.10.	to keep all copies of the Font and Software secure and to maintain accurate and up-to-date records of the number and locations of all copies of the Software;
 
2.1.11.	to include our copyright notice on all entire and partial copies of the Software in any form;
 
2.1.12.	not to provide, or otherwise make available, the Font, Software or Documentation in any form, in whole or in part (including, but not limited to, program listings, object and source program listings, object code and source code) to any person without prior written consent from us;
 
2.1.13.	to comply with all applicable technology control or export laws and regulations.

**3. INTELLECTUAL PROPERTY RIGHTS**

3.1.	You acknowledge that all intellectual property rights in the Font, Software and the Documentation throughout the world belong to us, that rights in the Font, Software and Documentation are licensed (not sold) to you, and that you have no intellectual property rights in, or to, the Font, Software or the Documentation other than the right to use the Font, Software and the Documentation in accordance with the terms of this Licence.

3.2.	You acknowledge that you have no right to have access to the Font and Software in source code form other than as expressly provided in this Licence.

**4. WARRANTY**

4.1.1. the Font and Software will, when properly used on an operating system for which it was designed, perform substantially in accordance with the functions described in the Documentation;

4.1.2. the Documentation correctly describes the operation of the Software in all material respects for a period of 14 days from the date of installation of the Software (Warranty Period).
 
4.2. If, within the Warranty Period, you notify us in writing of any defect or fault in the Font or Software as a result of which it fails to perform substantially in accordance with the Documentation, we will, at our sole option, either repair or replace the Font or Software, provided that you give us proof of purchase and make available all the information that may be necessary to help us to remedy the defect or fault, including sufficient information to enable us to recreate the defect or fault.
 
4.3. The warranty does not apply:
 
4.3.1. if the defect or fault in the Software results from you having altered or modified the Software;

4.3.2. if the defect or fault in the Software results from you having used the Software in breach of the terms of this Licence;
 
4.4. This warranty is in addition to your legal rights in relation to Software that is faulty or not as described. Advice about your legal rights is available from your local Citizens’ Advice Bureau or Trading Standards office.

**5. OUR RESPONSIBILITY FOR LOSS OR DAMAGE SUFFERED BY YOU**

5.1. We are responsible to you for foreseeable loss and damage caused by us. If we fail to comply with these terms, we are responsible for loss or damage you suffer that is a foreseeable result of our breaking this Licence or our failing to use reasonable care and skill, but we are not responsible for any loss or damage that is not foreseeable. Loss or damage is foreseeable if either it is obvious that it will happen or if, at the time this Licence was made, both we and you knew it might happen. Our entire liability to you will not extend beyond or exceed a replacement of any defective font or software or a refund of the licence price.

5.2. We do not exclude or limit in any way our liability to you where it would be unlawful to do so. This includes liability for death or personal injury caused by our negligence or the negligence of our employees, agents or subcontractors or for fraud or fraudulent misrepresentation.

5.3. When we are liable for damage to your property. If defective digital content that we have supplied damages a device or digital content belonging to you, we will either repair the damage or pay you compensation. However, we will not be liable for damage that you could have avoided by following our advice to apply an update offered to you free of charge or for damage that was caused by you failing to correctly follow installation instructions or to have in place the minimum system requirements advised by us.
 
5.4. We are not liable for business losses. The Font, Software and Documentation are for private use only. If you use the Software for any commercial, business or resale purpose we will have no liability to you for any loss of profit, loss of business, business interruption, or loss of business opportunity.
 
5.5. We do not warrant that the Font and Software will operate with all other software products, or that it will satisfy your requirements. You acknowledge that the Software has not been developed to meet your individual requirements, and that it is therefore your responsibility to ensure that the facilities and functions of the Font and Software as described in the Documentation meet your requirements.

**6. TERMINATION**

6.1. This License may be terminated by you at any time by destroying all copies of the Font, the Software together with the Documentation.

6.2. This Licence will terminate automatically and without notice if you commit a material or persistent breach of this Licence.

6.3. For the purposes of paragraph 6.2 ‘material breach’ includes, but is not limited to:

6.3.1. Any use of the Font, Software or Documentation for any commercial, business or resale purpose;
6.3.2. Any transfer to the Font, Software or Documentation to any third party, unless otherwise authorised under this Licence;

**6.5. COMMUNICATIONS BETWEEN US**

6.6. If you are a consumer, if you wish to contact us in writing, or if any condition in this Licence requires you to give us notice in writing, you can send this to us by email at: licensing@f37foundry.com or by post to F37 Foundry Limited 3 Hodgkinsons Farm Boot Lane, Bolton, Greater Manchester, BL1 5ST. We will confirm receipt of this by contacting you in writing, normally by email.

6.7. If we have to contact you or give you notice in writing, we will do so by email or by pre-paid post to the address you provide or confirm to us.

**7. HOW WE MAY USE YOUR PERSONAL INFORMATION**

7.1. Under data protection legislation, we are required to provide you with certain information about who we are, how we process your personal data and for what purposes and your rights in relation to your personal data and how to exercise them. This information is provided in our [Privacy Notice](http://f37foundry.com/privacy-policy) and it is important that you read that information.

**8. OTHER IMPORTANT TERMS**

8.1. We may transfer our rights and obligations under these terms to another organisation. We will always tell you in writing if this happens and we will ensure that the transfer will not affect your rights under the contract.

8.2. You may only transfer your rights or your obligations under this Licence to another person if we agree in writing.
 
8.3. This agreement does not give rise to any rights under the Contracts (Rights of Third Parties) Act 1999 to enforce any term of this agreement.
 
8.4. Each of the paragraphs of these terms operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining paragraphs will remain in full force and effect.

8.5. The sections titles of this Licence are for convenience only and shall not control or affect the meaning or construction of any of the terms or provisions of this Licence.
 
8.6. If we do not insist immediately that you do anything you are required to do under these terms, or if we delay in taking steps against you in respect of your breaking this contract, that will not mean that you do not have to do those things and it will not prevent us taking steps against you at a later date.
 
8.7. These terms are governed by English law and legal proceedings in respect of the Licence can only be commenced in the English courts. 

© Copyright 2020, Face37 Ltd. All Rights Reserved.

EULA Trial

###### F37 Foundry Limited
# F37 Trial Fonts End User License Agreement

## Please read these licence terms carefully.

This licence agreement (Licence) is a legal agreement between you (Licensee or you) and F37 Foundry Limited (company registration number 10567814) having an address at 3 Hodgkinsons Farm Boot Lane, Bolton, Greater Manchester, BL1 5ST, United Kingdom (Licensor, us or we) for:
 
•	The trial font downloaded from the F37 Foundry Limited website or as otherwise provided by us (Trial Font); 

•	the computer software, supplied with the Trial Font (Software) enabling the use of the Trial Font; and

•	online or electronic documentation relating to the Trial Font or Software (Documentation).
We license use of the Trial Font, the Software and the Documentation to you on the basis of this Licence. We do not sell the Trial Font, Software or Documentation to you. We remain the owners of the Trial Font, Software and Documentation at all times.

This Licence is for a private trial use only. If you use the Trial Font or Software for any commercial, business or resale purpose we will have no liability to you and it is acknowledged that a separate commercial use licence is required to be purchased for any commercial or business use. 

All rights that are not specifically granted under this Licence are reserved by us. The Licence is being provided to permit a limited use of the Trial Font only.

### YOUR PRIVACY
Under data protection legislation, we are required to provide you with certain information about who we are, how we process your personal data and for what purposes and your rights in relation to your personal data and how to exercise them. This information is provided in our [Privacy Notice](http://f37foundry.com/privacy-policy) and it is important that you read that information.

### AGREED TERMS

### 1. GRANT AND SCOPE OF LICENCE, MINOR CHANGES AND UPDATES 

1.1. In consideration of you agreeing to abide by the terms of this Licence, the Licensor hereby grants to you a non-exclusive, non-transferable licence to use the Trial Font, Software and the Documentation for use within Europe and the rest of the world on the terms of this Licence for 12 months unless or until terminated in accordance with this Licence.

1.2. You may:
 
1.2.1. install and use the Software for your personal purposes only to enable use of the Trial Font on one central processing unit (CPU) and you acknowledge the Licence is a single-user licence and the Software is for single use only;
 
1.2.2. provided it is used at any one time on only one computer owned or leased by you, transfer the Software from one computer to another;

1.2.3. provided you comply with the provisions in Paragraph 2, make up to 2 copies of the Software for back-up purposes; 

1.2.4. use any Documentation in support of the use permitted under paragraph 1.2 and make up to 2 copies of the Documentation as are reasonably necessary for its lawful use;

1.2.5. use the Trial Font and Software to create any number of documents, designs, presentations, or other such works for academic, speculative, or pitching purposes only. The sale, duplication, publication, distribution, broadcast, performance, or non-academic exhibition of any work created using the Trial Font or Software shall be a material breach of this Licence Agreement.
 
1.3. We may update or require you to update the Software, provided that the Software shall always match the description of it that we provided to you before you bought it.

### 2.	RESTRICTIONS
2.1.	    Except as expressly set out in this Licence or as permitted by any local law, you undertake:
 
2.1.1.	not to copy the Trial Font, Software or Documentation, except where such copying is incidental to normal use of the Trial Font or Software or where it is necessary for the purpose of back-up or operational security;
 
2.1.2.	not to rent, lease, sub-license, loan, translate, merge, adapt, vary, alter or modify, the whole or any part of the Trial Font, Software or Documentation nor permit the Trial Font or Software or any part of it to be combined with, or become incorporated in, any other programs;

2.1.3.	not to use the Trial Font, Software or Documentation for any Digital Product. ‘Digital Product’ means an electronic document or data file created by using the Trial Font or Software which is offered for distribution outside of your individual use. This included but is not limited to, electronic books, electronic magazines, branding, stationary, computer games or any commercial products which all shall be considered Digital Products. A separate licence is required to use the Trial Font or Software in Digital Products. A document distributed in connection with a transaction in which the consideration is unrelated to such document, for example, a letter shall not be considered a Digital Product;

2.1.4.	not to allow or permit any other persons to use the Trial Font, Software or Documentation;

2.1.5.	not to transfer, or permit any transfer of the Trial Font, Software or Documentation to any other person without purchasing a licence from us;

2.1.6.	not to use the Trial Font in any form, application or document or any other media where it will be placed in or used in the public domain;

2.1.7.	not to use the Trial Font or Software as part or whole of a corporate identity or branding system unless a separate license is obtained covering the expected usage, including: workstation installations, web fonts, appfonts, etc.; 

2.1.8.	not to use the Trial Font or Software to create or distribute any electronic document in which the Trial Font Software, or any part thereof, is embedded in a format that permits editing, alterations, enhancements, or modifications by the recipient of such document without obtaining a License from us to do so. You may embed the Trial Font in a secure electronic document for previewing and printing use only. 

2.1.9.	not to disassemble, de-compile, reverse engineer or create derivative works based on the whole or any part of the Trial Font or Software nor attempt to do any such things, except to the extent that (by virtue of sections 50B and 296A of the Copyright, Designs and Patents Act 1988) such actions cannot be prohibited because they are necessary to decompile the Trial Font or Software to obtain the information necessary to create an independent program that can be operated with the Trial Font or Software or with another program (Permitted Objective), and provided that the information obtained by you during such activities:

2.1.9.1. is used only for the Permitted Objective;

2.1.9.2. is not disclosed or communicated without the Licensor’s prior written consent to any third party to whom it is not necessary to disclose or communicate it in order to achieve the Permitted Objective; and

2.1.9.3. is not used to create any software that is substantially similar in its expression to the Trial Font or Software;
 
2.1.10.	to keep all copies of the Trial Font and Software secure and to maintain accurate and up-to-date records of the number and locations of all copies of the Software;
 
2.1.11.	to include our copyright notice on all entire and partial copies of the Software in any form;
 
2.1.12.	not to provide, or otherwise make available, the Trial Font, Software or Documentation in any form, in whole or in part (including, but not limited to, program listings, object and source program listings, object code and source code) to any person without prior written consent from us;
 
2.1.13.	to comply with all applicable technology control or export laws and regulations.

### 3. INTELLECTUAL PROPERTY RIGHTS  
3.1. You acknowledge that all intellectual property rights in the Trial Font, Software and the Documentation throughout the world belong to us, that rights in the Trial Font, Software and Documentation are licensed (not sold) to you, and that you have no intellectual property rights in, or to, the Trial Font, Software or the Documentation other than the right to use the Trial Font, Software and the Documentation in accordance with the terms of this Licence.

3.2. You acknowledge that you have no right to have access to the Trial Font and Software in source code form other than as expressly provided in this Licence.

### 4. WARRANTY  
4.1. We make no warranty, express or implied, that this Trial Font or Software is suitable for any specific purpose and we will not provide any technical support.

### 5. OUR RESPONSIBILITY FOR LOSS OR DAMAGE SUFFERED BY YOU  
5.1. We are responsible to you for foreseeable loss and damage caused by us. If we fail to comply with these terms, we are responsible for loss or damage you suffer that is a foreseeable result of our breaking this Licence or our failing to use reasonable care and skill, but we are not responsible for any loss or damage that is not foreseeable. Loss or damage is foreseeable if either it is obvious that it will happen or if, at the time this Licence was made, both we and you knew it might happen. Our entire liability to you will not extend beyond or exceed a replacement of any defective font or software only.

5.2. We do not exclude or limit in any way our liability to you where it would be unlawful to do so. This includes liability for death or personal injury caused by our negligence or the negligence of our employees, agents or subcontractors or for fraud or fraudulent misrepresentation.

5.3. When we are liable for damage to your property. If defective digital content that we have supplied damages a device or digital content belonging to you, we will either repair the damage or pay you compensation. However, we will not be liable for damage that you could have avoided by following our advice to apply an update offered to you free of charge or for damage that was caused by you failing to correctly follow installation instructions or to have in place the minimum system requirements advised by us.
 
5.4. We are not liable for business losses. The Trial Font, Software and Documentation are for a trial and private use only. If you use the Trial Font or Software for any commercial, business or resale purpose we will have no liability to you for any loss of profit, loss of business, business interruption, or loss of business opportunity.
 
5.5. We do not warrant that the Trial Font and Software will operate with all other software products, or that it will satisfy your requirements. You acknowledge that the Software has not been developed to meet your individual requirements, and that it is therefore your responsibility to ensure that the facilities and functions of the Trial Font and Software as described in the Documentation meet your requirements.

### 6. TERMINATION  
6.1. This License may be terminated by you at any time by destroying all copies of the Trial Font, the Software together with the Documentation.

6.2. This Licence will terminate automatically and without notice if you commit a material or persistent breach of this Licence.

6.3. For the purposes of paragraph 6.2 ‘material breach’ includes, but is not limited to:

6.3.1. Any use of the Trial Font, Software or Documentation for any commercial, business or resale purpose;
6.3.2. Any transfer of the Trial Font, Software or Documentation to any third party, unless otherwise authorised under this Licence;

6.4. Without prejudice to any other rights we may terminate this Licence at any time on providing you with 14 days notice. 
 
6.5. Upon termination for any reason:
 
6.5.1. all rights granted to you under this Licence shall cease;
 
6.5.2. you must cease all activities authorised by this Licence; and
 
6.5.3. you must immediately delete or remove the Trial Font and Software from all computer equipment in your possession and immediately destroy or return to us (at our option) all copies of the Trial Font and Software then in your possession, custody or control and, in the case of destruction, certify to us that you have done so

### 6.6. COMMUNICATIONS BETWEEN US
6.7. If you are a consumer, if you wish to contact us in writing, or if any condition in this Licence requires you to give us notice in writing, you can send this to us by email at: licensing@f37foundry.com or by post to F37 Foundry Limited 3 Hodgkinsons Farm Boot Lane, Bolton, Greater Manchester, BL1 5ST. We will confirm receipt of this by contacting you in writing, normally by email.

6.8. If we have to contact you or give you notice in writing, we will do so by email or by pre-paid post to the address you provide or confirm to us.

### 7. OTHER IMPORTANT TERMS  
7.1. We may transfer our rights and obligations under these terms to another organisation. We will always tell you in writing if this happens and we will ensure that the transfer will not affect your rights under the contract.

7.2. You may only transfer your rights or your obligations under this Licence to another person if we agree in writing.
 
7.3. This agreement does not give rise to any rights under the Contracts (Rights of Third Parties) Act 1999 to enforce any term of this agreement.
 
7.4. Each of the paragraphs of these terms operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining paragraphs will remain in full force and effect.

7.5. The sections titles of this Licence are for convenience only and shall not control or affect the meaning or construction of any of the terms or provisions of this Licence.
 
7.6. If we do not insist immediately that you do anything you are required to do under these terms, or if we delay in taking steps against you in respect of your breaking this contract, that will not mean that you do not have to do those things and it will not prevent us taking steps against you at a later date.
 
7.7. These terms are governed by English law and legal proceedings in respect of the Licence can only be commenced in the English courts. 

© Copyright 2020, Face37 Ltd. All Rights Reserved

EULA Webfont


**F37 WEBFONT END USER LICENSE AGREEMENT**

**PLEASE READ THESE LICENCE TERMS CAREFULLY**

**UPDATED OCTOBER 25, 2019**

This licence agreement (Licence) is a legal agreement between you (Licensee or you) and F37 Foundry Limited (company registration number 10567814) having an address at 3 Hodgkinsons Farm Boot Lane, Greater Manchester, Lancashire, BL1 5ST, United Kingdom (Licensor, us or we) for:
 
•	The font downloaded from the F37 Foundry Limited website or as otherwise provided by us (Font); 

•	the computer software, supplied with the Font (Software) enabling the use of the Font; and

•	online or electronic documentation relating to the Font or Software (Documentation).

We license use of the Font, the Software and the Documentation to you on the basis of this Licence. We do not sell the Font, Software or Documentation to you. We remain the owners of the Font, Software and Documentation at all times. You are licensing the Font, Software and Documentation from us. This non-transferable License is for your personal use of the Font and Software to create, style and (subject to certain pageview limits) publish HTML documents containing the Font on the Internet on certain designated URLs. Please note, however, you are not buying the Font Software, and so, you may only use the Font and Software as expressly permitted in this EULA.

If you use the Software for any commercial, business or resale purpose we will have no liability to you and it is acknowledge a separate commercial use licence is required to be purchased for any commercial or business use. 

All rights that are not specifically granted under this Licence are reserved by us. The Licence will not be effective until our receipt of the license fee, which fee is a one-time payment and is deemed fully earned upon our receipt.

**AGREED TERMS**

**1. GRANT AND SCOPE OF LICENCE, MINOR CHANGES AND UPDATES**

1.1. In consideration of you agreeing to abide by the terms of this Licence, the Licensor hereby grants to you a non-exclusive, non-transferable licence to use the Font, Software and the Documentation for use within Europe on the terms of this Licence in perpetuity unless or until terminated in accordance with this Licence.

1.2. You may:
 
1.2.1. install and use the Software for your personal purposes only to enable use of the Font on one central processing unit (CPU) and you acknowledge the Licence is a single-user licence and the Software is for single use only;

1.2.2. provided it is used at any one time on only one computer owned or leased by you, transfer the Software from one computer to another;

1.2.3. use the Font and Software to create, style, edit and display text in HTML documents containing the Font at one specified Internet domain(s) provided that you own and control the domain(s). If you require a license for usage on more than one domain additional licence fees will apply. 

1.2.4. For the avoidance of doubt, this License does not permit the Font to be used in such a way as to serve the Font to unlicensed domains. Regardless of whether the Font are hosted on licensed domains, the Font may not be served for the benefit of unlicensed domains.

1.2.5. provided you comply with the provisions in Paragraph 2, make up to 2 copies of the Software for back-up purposes; 

1.2.6. use any Documentation in support of the use permitted under paragraph 1.2 and make up to 2 copies of the Documentation as are reasonably necessary for its lawful use.
 
1.3. We may update or require you to update the Software, provided that the Software shall always match the description of it that we provided to you before you bought it.

**2. RESTRICTIONS** 
 
2.1. Except as expressly set out in this Licence or as permitted by any local law, you undertake:
 
2.1.1. not to use the Font to create websites, webpages, articles or documents for display on others’ domain names or websites. (i.e. You must own and control the domain(s) where the content created by the Font and Software is displayed);

2.1.2. not to copy the Font, Software or Documentation, except where such copying is incidental to normal use of the Font or Software or where it is necessary for the purpose of back-up or operational security;
 
2.1.3.	not to rent, lease, sub-license, loan, translate, merge, adapt, vary, alter or modify, the whole or any part of the Font, Software or Documentation nor permit the Font or Software or any part of it to be combined with, or become incorporated in, any other programs;

2.1.4.	not to allow or permit any other persons to use the Font, Software or Documentation;

2.1.5.	not to transfer, or permit any transfer of the Font, Software or Documentation to any other person without purchasing a licence from us;

2.1.6.	not to use the Font in any form, application or document or any other media where it will be placed in or used in the public domain;  

2.1.7.	not to use the Font or Software as part or whole of a corporate identity or branding system unless a separate license is obtained covering the expected usage, including: workstation installations, web fonts, appfonts, etc.; 

2.1.8.	not to disassemble, de-compile, reverse engineer or create derivative works based on the whole or any part of the Font or Software nor attempt to do any such things, except to the extent that (by virtue of sections 50B and 296A of the Copyright, Designs and Patents Act 1988) such actions cannot be prohibited because they are necessary to decompile the Font or Software to obtain the information necessary to create an independent program that can be operated with the font or Software or with another program (Permitted Objective), and provided that the information obtained by you during such activities:

2.1.8.1. is used only for the Permitted Objective;

2.1.8.2. is not disclosed or communicated without the Licensor’s prior written consent to any third party to whom it is not necessary to disclose or communicate it in order to achieve the Permitted Objective; and

2.1.8.3. is not used to create any software that is substantially similar in its expression to the Font or Software;
 
2.1.9. to keep all copies of the Font and Software secure and to maintain accurate and up-to-date records of the number and locations of all copies of the Software;
 
2.1.10.	to include our copyright notice on all entire and partial copies of the Software in any form;
 
2.1.11.	not to provide, or otherwise make available, the Font, Software or Documentation in any form, in whole or in part (including, but not limited to, program listings, object and source program listings, object code and source code) to any person without prior written consent from us;
 
2.1.12.	to comply with all applicable technology control or export laws and regulations.

2.2. This is not a “Desktop”, “Application”, or “eBook /ePub”) license, and therefore, You agree that you will not use the Font or Software to create (or adorn) documents, stationery, signage or other printed materials, or in any “static” or embedded digital materials (such as, without limitation, pdf, ePub or other eReader file, iOS, TTF, or OTF) files, and you further agree that you will not embed the Font Software in any software application, web-based or otherwise (including in any word processor or presentation software).

2.3. This is not a “Broadcast “or “Webcast” license and therefore grants no rights to the Licensee to use the Font Software to create text that will be displayed or used in audio-visual works (including video) broadcast via network, cable, satellite or other television (or any such channel’s online website(s)), any online subscription-based services, (such as Netflix or Hulu), or celebrity webseries, whether on the Internet or broadcast through other media.

2.4. This license does not cover the use of the Font or Software on a desktop, laptop, or any workstation computer or for any use other than as expressly permitted in this Licence. If you wish to use the Font in a manner not permitted by this Licence, you must secure a separate licence and/or a licence at additional charges. 

**3. INTELLECTUAL PROPERTY RIGHTS**

3.1. You acknowledge that all intellectual property rights in the Font, Software and the Documentation throughout the world belong to us, that rights in the Font, Software and Documentation are licensed (not sold) to you, and that you have no intellectual property rights in, or to, the Font, Software or the Documentation other than the right to use the Font, Software and the Documentation in accordance with the terms of this Licence.

3.2. You acknowledge that you have no right to have access to the Font and Software in source code form other than as expressly provided in this Licence.

**4. WARRANTY**

4.1. We warrant that:

4.1.1. the Font and Software will, when properly used on an operating system for which it was designed, perform substantially in accordance with the functions described in the Documentation;

4.1.2.	the Documentation correctly describes the operation of the Software in all material respects

for a period of 14 days from the date of installation of the Software (Warranty Period).
 
4.2. If, within the Warranty Period, you notify us in writing of any defect or fault in the Font or Software as a result of which it fails to perform substantially in accordance with the Documentation, we will, at our sole option, either repair or replace the Font or Software, provided that you give us proof of purchase and make available all the information that may be necessary to help us to remedy the defect or fault, including sufficient information to enable us to recreate the defect or fault.
 
4.3. The warranty does not apply:
 
4.3.1. if the defect or fault in the Software results from you having altered or modified the Software;

4.3.2.	if the defect or fault in the Software results from you having used the Software in breach of the terms of this Licence;
 
4.4. This warranty is in addition to your legal rights in relation to Software that is faulty or not as described. Advice about your legal rights is available from your local Citizens’ Advice Bureau or Trading Standards office.

**5. OUR RESPONSIBILITY FOR LOSS OR DAMAGE SUFFERED BY YOU** 

5.1. We are responsible to you for foreseeable loss and damage caused by us. If we fail to comply with these terms, we are responsible for loss or damage you suffer that is a foreseeable result of our breaking this Licence or our failing to use reasonable care and skill, but we are not responsible for any loss or damage that is not foreseeable. Loss or damage is foreseeable if either it is obvious that it will happen or if, at the time this Licence was made, both we and you knew it might happen. Our entire liability to you will not extend beyond or exceed a replacement of any defective font or software or a refund of the licence price.

5.2. We do not exclude or limit in any way our liability to you where it would be unlawful to do so. This includes liability for death or personal injury caused by our negligence or the negligence of our employees, agents or subcontractors or for fraud or fraudulent misrepresentation.

5.3. When we are liable for damage to your property. If defective digital content that we have supplied damages a device or digital content belonging to you, we will either repair the damage or pay you compensation. However, we will not be liable for damage that you could have avoided by following our advice to apply an update offered to you free of charge or for damage that was caused by you failing to correctly follow installation instructions or to have in place the minimum system requirements advised by us.
 
5.4. We are not liable for business losses. The Font, Software and Documentation are for private use only. If you use the Software for any commercial, business or resale purpose we will have no liability to you for any loss of profit, loss of business, business interruption, or loss of business opportunity.
 
5.5. We do not warrant that the Font and Software will operate with all other software products, or that it will satisfy your requirements. You acknowledge that the Software has not been developed to meet your individual requirements, and that it is therefore your responsibility to ensure that the facilities and functions of the Font and Software as described in the Documentation meet your requirements.

**6. TERMINATION**

6.1. This License may be terminated by you at any time by destroying all copies of the Font, the Software together with the Documentation.

6.2. This Licence will terminate automatically and without notice if you commit a material or persistent breach of this Licence.

6.3. For the purposes of paragraph 6.2 ‘material breach’ includes, but is not limited to:

6.3.1. Any use of the Font, Software or Documentation for any commercial, business or resale purpose;
6.3.2. Any transfer to the Font, Software or Documentation to any third party, unless otherwise authorised under this Licence;
 
6.4. Upon termination for any reason:
 
6.4.1. all rights granted to you under this Licence shall cease;
 
6.4.2. you must cease all activities authorised by this Licence; and
 
6.4.3. you must immediately delete or remove the Font and Software from all computer equipment in your possession and immediately destroy or return to us (at our option) all copies of the Font and Software then in your possession, custody or control and, in the case of destruction, certify to us that you have done so.
 
**6.5. COMMUNICATIONS BETWEEN US **

6.6. If you are a consumer, if you wish to contact us in writing, or if any condition in this Licence requires you to give us notice in writing, you can send this to us by email at: licensing@f37foundry.com or by post to F37 Foundry Limited 3 Hodgkinsons Farm Boot Lane, Bolton, Lancashire, BL1 5ST. We will confirm receipt of this by contacting you in writing, normally by email.

6.7. If we have to contact you or give you notice in writing, we will do so by email or by pre-paid post to the address you provide or confirm to us.

**7. HOW WE MAY USE YOUR PERSONAL INFORMATION**

7.1.	Under data protection legislation, we are required to provide you with certain information about who we are, how we process your personal data and for what purposes and your rights in relation to your personal data and how to exercise them. This information is provided in our [Privacy Notice](https://f37foundry.com/privacy-policy) and it is important that you read that information.

**8. OTHER IMPORTANT TERMS**  

8.1. We may transfer our rights and obligations under these terms to another organisation. We will always tell you in writing if this happens and we will ensure that the transfer will not affect your rights under the contract.

8.2. You may only transfer your rights or your obligations under this Licence to another person if we agree in writing.
 
8.3. This agreement does not give rise to any rights under the Contracts (Rights of Third Parties) Act 1999 to enforce any term of this agreement.
 
8.4. Each of the paragraphs of these terms operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining paragraphs will remain in full force and effect.

8.5. The sections titles of this Licence are for convenience only and shall not control or affect the meaning or construction of any of the terms or provisions of this Licence.
 
8.6. If we do not insist immediately that you do anything you are required to do under these terms, or if we delay in taking steps against you in respect of your breaking this contract, that will not mean that you do not have to do those things and it will not prevent us taking steps against you at a later date.
 
8.7. These terms are governed by English law and legal proceedings in respect of the Licence can only be commenced in the English courts. 

© Copyright 2020, Face37 Ltd. All Rights Reserved.

F37 Beckett pays homage to the British Ministry of Transport’s 1933 alphabet. This somewhat idiosyncratic font was used on what are now called ‘pre-Worboys’ road signs. The caps-only font showed the way from 1933 to 1958, when Jock Kinnear and Margaret Calvert’s Transport font was introduced for Britain's first motorway (the Preston bypass).

With F37 Beckett, we’ve tweaked the MOT font’s original proportions and done away with the sharp terminals. However, we’ve made a point of keeping peculiar features like the short crossbar on the G and the odd shape of the S. We’ve also created a completely new lowercase alphabet, along with a truckload of new weights, including Dingbats of the original signage.

F37 Beckett is a quirky British classic, lovingly transported to modern times.

altGlyph

F37 Beckett

The Worboys Committee was formed by the British government in July 1963 to review signage on all British roads. This was in response to two articles published in 1961 by graphic designer Herbert Spencer, illustrating the shortcomings of non-motorway British road signs. The committee was chaired by Sir Walter Worboys of ICI. T. G. Usborne of the Ministry of Transport had charge of proceedings, and Jock Kinneir and his assistant (and later business partner) Margaret Calvert were commissioned as designers.

In 1963, the committee released Traffic signs: report of the committee on traffic signs for all-purpose roads, which completely revised road signs in Britain, with an emphases on symbols alone and adopting standard colour and shape practices used in mainland Europe, adoption of a new typeface, called Transport. On 1 January 1965, the Traffic Signs Regulations and General Directions (TSRGD), the legal framework for road signs in Britain, was revised to adopt the proposed changes in the report.

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Thin Italic

Light

Light Italic

Regular

Regular Italic

Demi

Demi Italic

Bold

Bold Italic

Extra Bold

Extra Bold Italic

Black

Black Italic

Extras

One of our best-selling fonts, F37 Bella is influenced by Swiss typographer Jan Tschichold’s early explorations of geometry and shape in letterforms. In particular, the perfect ball terminals of Tschichold’s Saskia font inspired us while drawing F37 Bella.

However, it was John Pistilli’s Pistilli Roman and the thin hairlines in Louis Dorfman’s work that finally inspired F37 Bella’s overall aesthetic shape and form. This interplay between fracture-thin hairlines and pronounced curves is key to F37 Bella’s charm and appeal. 

F37 Bella

John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created [at S&H], always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.


Heavy

Stencil

Our best just got better. F37 Bella was our very first font and is still one of our best sellers. Now, for 2020, we’ve given her a facelift, with refined, optimised proportions and plenty more weights to choose from. We’ve added true italics, enhanced OpenType features like swashes and huge language support, including Cyrillic and Greek alphabets.

The all-singing, all-dancing F37 Bella Pro is great for editorial, bringing a flowing drama and elegance to the page. The interplay of fracture-thin hairlines and pronounced curves adds endless charm and visual appeal.

F37 Bella Pro

John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created [at S&H], always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.

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Text Bold Italic

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Display Bold Italic

Hairline Thin

Hairline Thin Italic

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Hairline Light Italic

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Hairline Regular Italic

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Hairline Bold Italic

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Stencil Bold

F37 Bergman is a revival of Hans Möhring’s Florida typeface. Swedish film director Ingmar Bergman often used Florida in his films — always in stark black and white. This inspired us to digitalise the font and create a matching lowercase version in four new weights.

We love Möhring’s juxtaposition of tapered stems and geometric thick/thin lines. This makes it perfect for luxury branding and editorial work. We’ve also injected some modernity into the design by creating numerous Herb Lubalin-style ligatures, as well as stylistic headline diacritics.

F37 Bergman

Headline Diacritics
Stylistic Alternates
Discretionary Ligatures

Ernst Ingmar Bergman was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. 

F37 Bobby is a contemporary geometric serif. Its design was influenced by the warm serifs that were popular back in the 1970s. We took inspiration from the rounded, friendly feel of fonts like Souvenir, Windsor and Cooper Black.

This is a font with brands in mind: if you’re looking for a cool font that’ll work well for identity work, with a bit of standout, Bobby might be your boy. It’ll also work well for the luxury and fashion worlds. The F37 Bobby family comes in six weights with matching true italics.  

F37 Bobby

Bobby Anthony Banks was born in Bolton on 21 April 2017, weighing 6 pounds and 12 ounces. He currently likes cows, Baby Bum and chocolate digestives. Famous Bobbys include the chess grandmaster and the eleventh World Chess Champion Bobby Fischer, as well as Geordie footballers like Bobby Robson and Bobby Charlton, who played for Newcastle United and Manchester United respectively.

Inspired by Günter Gerhard Lange’s stripped-back Schoolbook typeface, F37 Bolton is an ideal choice for body copy and smaller print sizes thanks to its simple aesthetic. 

F37 Bolton’s distinctive characters are flat, perfectly horizontal ascenders and descenders. This is an unusual approach, but it underpins F37 Bolton’s uncompromising simplicity.

F37 Bolton

Old Style Numerals
Stylistic Alternates
Ligatures

Bolton Wanderers Football Club is a professional association football club based in Bolton, Greater Manchester, England. The club competes in the EFL Championship, the second tier of the English football league system. The club was formed as Christ Church Football Club in 1874, and adopted its current name in 1877. Founder members of the Football League in 1888, Bolton have spent the highest number of seasons of any club in the top flight without winning the title (the 2011–12 season was their 73rd, non-consecutive, year in the top flight). The closest they have come to the title is third in the First Division on three occasions (1891–92, 1920–21 and 1924–25). As of 2015, the club has spent more seasons in the top division than any other club outside the current Premier League.

Italic

F37 F51 is inspired by Johnson Panas’ flyer and ticket designs for The Haçienda nightclub in Manchester. Oringinally drawn by the late Tony Panas, we have digitalised and expanded his character set. Suitably classified as techno, F51 is wide, square and industrial looking. 

We have added a contemporary twist to the design by creating several unusual stylistic variants. F37 F51 comes in 30 weights and five different widths.

F37 F51

The Haçienda was a nightclub and music venue in Manchester, England, which became famous in the Madchester years of the 1980s and early 1990s. The Haçienda opened in 1982, and despite considerable and persistent financial troubles survived until 1997. The Haçienda is associated with the rise of acid house and rave music. The former warehouse occupied by the club was at 11-13, Whitworth Street West on the south side of the Rochdale Canal. Originally conceived by Rob Gretton, it was largely financed by the record label Factory Records and the band New Order along with label boss Tony Wilson. Designed by Ben Kelly, upon recommendation by Factory graphic designer Peter Saville, upstairs consisted of a stage, dance area, bar, cloakroom, cafeteria area and balcony with a DJ booth. 

Condensed Black

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Extended Black

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F37 Factory was inspired by lettering found in what was once a Hovis flour mill in Ramsgate. Throughout the building, which was designed by the architect E W Pugin, there was stencil-style typography beautifully etched into marble.

F37 Factory was originally conceived for a commercial development project for Want Marketing and commissioned by London design studio Bold & Bold. 

F37 Factory

The Factory was Andy Warhol's New York City studio, which had three different locations. The original Factory was on the fifth floor at 231 East 47th Street, in Midtown Manhattan. The Factory became a meeting place of artists and musicians such as Lou Reed, Bob Dylan, and Mick Jagger, as well as writer Truman Capote. Andy Warhol commented on mainstream America through his art while disregarding its conservative social views. Almost all his work filmed at the Factory featured nudity, graphic sexuality, drug use, same-sex relations and transgender characters in much greater proportion to what was being shown in mainstream cinema. By making the films, Warhol created a sexually lenient environment at the Factory for the "happenings" staged there, which included fake weddings between drag queens, porn film rentals, and vulgar plays.

Hairline

It’s inspired by the movement of machine rollers, with unusual kinks and bends that give it a playful and distinctive flavour. Smooth and organic curves lend a sense of easy movement and undulating flow.

There are quirky, stylistic alternates available for each character. And to make things really simple, we’ve used OpenType coding to select these automatically, turning up the sense of random fluidity. 


F37 Flux comes in five weights: Light, Regular, Medium, Semi Bold and Bold.

F37 Flux is also a variable font — that is, a single font file with weight variations for multiple outputs.

F37 Flux

This is what makes time travel possible: the flux capacitor! It's taken me nearly thirty years and my entire family fortune to realize the vision of that day. My God, has it been that long? Things have certainly changed around here. I remember when this was all farmland as far as the eye could see! Old man Peabody owned all of this! He had this crazy idea about breeding pine trees.

Semi Bold

Variable

F37 Gruffy takes inspiration from very early grotesque fonts. It’s a friendly, curvy sans-serif that comes with bags of character. With its upward curly tails, slightly over exaggerated curves and angled terminals, F37 Gruffy is fun, impactful and distinctly modern. It can hold its own with the trendy geometric sans crowd, but has ideas of its own too.


F37 Gruffy comes in multiple weights and works well as a display face, but also provides reliable, readable body copy. 

A softer version, called F37 Gruffy Soft, comes with subtle rounded edges creating a warmer touch.

F37 Gruffy

Stylistic Alternates
Ligatures
Discretionary Ligatures


Sloths of the present day are arboreal mammals noted for slowness of movement and for spending most of their lives hanging upside down in the trees of the tropical rain forests of South America and Central America. The sloth is so named because of its very low metabolism and deliberate movements, sloth being related to the word slow. This supports their low-energy diet of leaves and avoids detection by predatory hawks and cats that hunt by sight. Sloths are almost helpless on the ground but are able to swim. The shaggy coat has grooved hair that is host to symbiotic green algae which camouflages the animal in the trees and provides it nutrients. The algae also nourishes sloth moths, some species of which exist solely on sloths.

Medium Italic

Soft Light

Soft Light Italic

Soft Regular

Soft Regular Italic

Soft Medium

Soft Medium Italic

Soft Bold

Soft Bold Italic

Soft Extra Bold

Soft Extra Bold Italic

Soft Black

Soft Black Italic

F37 Ginger started out life as a typical Swiss sans serif, but as time went by, we couldn’t suppress the urge to give it a quirky geometric twist. 

While we were drawing F37 Ginger, we repeatedly returned to the work of two legendary typographers — Paul Renner and Herb Lubalin. In particular, it was the alternatives in Renner’s Futura and Lubalin’s Avant Garde Gothic, that paved the way for F37 Ginger’s geometric slant.

F37 Ginger

Old Style Numbers
Stylistic Alternates
Ligatures

Ginger hair (occurs naturally in one to two percent of the human population, appearing with greater frequency (two to six percent) among people of northern or western European ancestry and lesser frequency in other populations. It is most common in individuals homozygous for a recessive allele on chromosome 16 that produces an altered version of the MC1R protein. Red hair varies in hue from a deep burgundy or bright copper (auburn) to burnt orange or red-orange to and strawberry blond. Characterized by high levels of the reddish pigment pheomelanin and relatively low levels of the dark pigment eumelanin, it is associated with fair skin color, lighter eye color, freckles, and sensitivity to ultraviolet light. Cultural reactions to red hair have varied from ridicule to admiration; many common stereotypes exist regarding redheads, who are often portrayed as possessing fiery tempers. The term redhead has been in use since at least 1510.


F37 Ginger is our best seller. Since its birth in 2013, this sleek, geometric san-serif font has been used by some of the world’s biggest companies, becoming a favourite with brands such as Google, Barclays, GM Cruise and Boots. 

Updated and improved for 2019, Ginger Pro has refined and optimised proportions. We’ve also extended the choice of weights, with 14 new styles now available. This new version of Ginger supports a wide range of languages, with over 500 glyphs, covering 252+ languages, including Extended Latin, Cyrillic and Greek writing systems.

F37 Ginger Pro

Old Style Numbers
Tabular Lining Numbers
Denominators
Numerators
Ligatures
Stylistic Alternates
Case Sensitive Forms
Fractions

Ginger hair (occurs naturally in one to two percent of the human population, appearing with greater frequency (two to six percent) among people of northern or western European ancestry and lesser frequency in other populations. It is most common in individuals homozygous for a recessive allele on chromosome 16 that produces an altered version of the MC1R protein. Red hair varies in hue from a deep burgundy or bright copper (auburn) to burnt orange or red-orange to and strawberry blond. Characterized by high levels of the reddish pigment pheomelanin and relatively low levels of the dark pigment eumelanin, it is associated with fair skin color, lighter eye color, freckles, and sensitivity to ultraviolet light. Cultural reactions to red hair have varied from ridicule to admiration; many common stereotypes exist regarding redheads, who are often portrayed as possessing fiery tempers. The term redhead has been in use since at least 1510.

F37 Ginger Round is an adaptation of our hugely popular F37 Ginger font. We’ve taken the geometry a step further, carefully reshaping each of the original characters to give the letterforms a smoother, more rounded, aesthetic. 

Originally inspired by Herb Lubalin’s Avant Garde Gothic and Paul Renner’s Futura fonts, F37 Ginger Round sports neatly rounded terminals, but retains the distinctive geometric shape of F37 Ginger. 

F37 Ginger Round

Queen Elizabeth I of England was a redhead, and during the Elizabethan era in England, red hair was fashionable for women. In modern times, red hair is subject to fashion trends; celebrities such as Nicole Kidman, Amy Adams, Christina Hendricks, Emma Stone and Geri Halliwell can boost sales of red hair dye. Many painters have exhibited a fascination with red hair. The hair color "Titian" takes its name from the artist Titian, who often painted women with red hair. Early Renaissance artist Sandro Botticelli's famous painting The Birth of Venus depicts the mythological goddess Venus as a redhead. Other painters notable for their redheads include the Pre-Raphaelites, Edmund Leighton, Modigliani and Gustav Klimt.

Glaser Stencil was created in 1967 by US illustrator and graphic designer Milton Glaser. He first used the font for a Carnegie Hall bill poster in 1969. The letterforms referenced traditional stencilling techniques of the 1940s and 1950s and became synonymous with American graphic design of that period. Glaser later went on to develop the famous ‘I Heart New York’ logo that’s still widely used today. 

As graphic design went digital, Glaser Stencil’s bold weight was adapted for the computer age. However, its lighter weights weren’t modified for digital use and more or less disappeared. 

Working with Milton Glaser directly, we’ve restored all of Glaser Stencil’s forgotten weights and made them accessible to the digital generation for the first time. An all-caps font, F37 Glaser Stencil comes in four weights — Extra Light, Light, Medium, and Demi (although we’d recommend that Extra Light is only used for large display purposes). F37 Glaser Stencil also supports various languages, including Cyrillic.


F37 Glaser Stencil

Milton Glaser, born June 26 1929, is an American graphic designer. His designs include the I heart NY logo, the psychedelic Bob Dylan poster, and the Brooklyn Brewery logo. In 1954, he also co-founded Push Pin Studios, co-founded New York Magazine with Clay Felker, and established Milton Glaser, Inc. in 1974. His artwork has been featured in exhibits, and placed in permanent collections in many museums worldwide. Throughout his long career, he has designed many posters, publications and architectural designs. He has received many awards for his work, including the National Medal of the Arts award from President Barack Obama in 2009, and was the first graphic designer to receive this award.

Extra Light

F37 Hooj is a well-balanced, geometric sans serif with classic modernist proportions. It pays shameless tribute to designer Paul Renner’s timeless Futura typeface, along with other famous German sans fonts like Erbar, Kabel and Super Grotesk. 

Like its predecessors, F37 Hooj has pointed angles and acute terminals. But if anything, it’s been made even sharper and more minimalist, with a noticeably tall x-height. There is also an American influence too in the form of Herb Lubalin. The R and k are inspired from his famous Avant Garde font. Letters like the t, u and Q are really stripped back to their bare bones. But there’s also room for the odd twist, like the subtle slant of the j’s descender.

Hooj is clean, sharp and streamlined. Though it has something of a classic, traditional feel, it’s a font that exudes precision and modernity.

F37 Hooj

Old Style Numbers
Tabular Lining Numbers
Ligatures
Stylistic Alternates
Arrows

Hooj Choons is a house record label formed by Alex Simons and Red Jerry (real name Jeremy Dickens) in 1990. The first release was "Carnival de Casa" by Rio Rhythm Band, however, it was not until 1992's release of Felix's "Don't You Want Me", which Red Jerry and Faithless founder-member Rollo co-produced, that Hooj Choons had their first crossover hit. Over the next ten years, Hooj Choons had several notable releases including productions from artists such as Diss-Cuss, Tilt, Oliver Lieb and JX. The label built up a roster of popular club hits and smaller underground classics over 20 years.

We took inspiration for F37 Jagger from Edward Johnston’s London Underground sans serif font. Its clean, curved lines and simple form are entirely accessible and unassuming. This was also what we wanted to achieve with F37 Jagger.

The contrast between bulbous circular arcs and distinct straight edges in Johnson’s letterforms inspired F37 Jagger’s shape and structure. 

F37 Jagger

Sir Michael Philip Jagger is an English singer-songwriter, musician, composer and actor who gained fame as the lead singer and one of the founder members of the Rolling Stones. Jagger's career has spanned over five decades, and he has been described as "one of the most popular and influential frontmen in the history of rock & roll". His distinctive voice and performances, along with Keith Richards' guitar style have been the trademark of the Rolling Stones throughout the band's career. Jagger gained press notoriety for his admitted drug use and romantic involvements, and was often portrayed as a countercultural figure.

The initial inspiration for our F37 Jan font family was Matthew Carter’s Bell Centennial, which was used in the AT&T telephone directory. We loved the way the ink traps and large contours made the text easier to read in small sizes. 

But we were also taken by the geometry and modernism that inspired Jan Tschichold’s Untitled sans serif (found in stylistic set 2). So we decided to create a hybrid design, and to give it Tschichold’s first name.

F37 Jan

Jan Tschichold was born 2 April 1902 Leipzig, Germany. He was a calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently (and ironically) idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the much-admired typeface Sabon. 

F37 Judge tips its hat to the trusty, utilitarian font DIN, along with old wood-type specimen books. It’s a versatile, impactful geometric sans-serif that really looks the part in XL sizes. This makes it the perfect choice for headlines that need to pack a punch — from posters to editorial layouts.

F37 Judge comes in plenty of different weights (32, in fact) with normal and condensed widths alongside matching italics. It’s further bolstered with OpenType, giving you stylistic alternates, such as the ‘O’, for a completely different, unique look. We’ve also built in stylised diacritics, allowing you to tightly space your headlines.

F37 Judge

Judge Roy Snyder is one of the main judges in Springfield, or perhaps more specifically, Springfield County. He was once known as a no-nonsense judge but over the years he has loosened up and become more lenient. His temperament seems to be milder than that of the Judge Constance Harm, who is more strict. Snyder has somewhat of a grudge against Lionel Hutz for repeatedly running over his son with his car. It is unknown how old Snyder's son is or if he survived. Judge Snyder also admitted in court that his wife had left him, since then he has been seen with Lindsey Naegle. When it comes to Bart, he normally lets him off the hook using the reasoning: "Boys will be boys". He was the judge who banned sugar in Springfield, though later cancelled the law, and also ordered the ruling of never mentioning anything about the "real Seymour Skinner" under penalty of torture. At one point, when decreeing that Mr. Burns has to pay a fine of three million dollars after being caught by the EPA for illegally dumping nuclear waste in a park, he allowed for Mr. Burns to, in exchange, have the Justice statue.